For more than 20 years Drew Dixon had buried her experience, quitting the music business she thrived in and living in the suspended animation of deep-seated denial.
"Joker" continues the dubious darker-is-deeper tradition that Christopher Nolan helped codify with his "Batman" films.
In "The Kitchen" Melissa McCarthy, Tiffany Haddish and Elisabeth Moss play three women whose husbands are serving time for a low-rent robbery.
A well-executed sex scene can be the "ultimate special effect. " Here's what we lose when they go away. . .
A vibrant, spirited, thoughtful mosaic of a cultural melting pot in California.
New Whitney Houston documentary has a startling moment - but still transcends the form.
Mia Wasikowska and Robert Pattinson star in a tale of a heroine who doesn't need saving.
I don't root for movies to fail, but here's why I'm making an exception for 'Jurassic World'
Jim Caviezel stars as Luke in this intriguing drama inspired by the Acts of the Apostles.
Molly?s Game is worth the ante: It pays off, both as slick, adult-oriented entertainment and morality tale.
From Meryl Streep to Gal Gadot, women in Hollywood made 2017 an interesting year
We can all name fine actors who punched far above their weight while slumming in paycheck films or well-intentioned misfires:
The result is a film of frequently provocative and queasily effective parts that never comes together as an effective whole.
Today, reviewing is a companionate enterprise, with critics and ?civilians? engaging in a dialogue rather than one-way pronouncements.
This clever mash-up of indie rom-coms and Japanese ?kaiju? movies (think Godzilla and Mothra) presents an ideal showcase for Anne Hathaway?s gifts.
Paterson arrives like a warm embrace, its tenderness and compassion first inspiring the viewer to reach out and hug its characters, then the man who made it.
Efraim Diveroli, the ungainly, socially awkward miscreant at the centre of War Dogs, surrounds himself with paraphernalia from the movie Scarface.
Woody Allen revisists the murder mystery genre
Comedian Amy Schumer proves her cinematic bona fides in an anarchic rom-com about a promiscuous reporter.
At first it seems like a well-made, politically aware action thriller that makes up for generic plotting with an outstanding cast and keenly observed atmospherics.
Michael Keaton plays an actor who first appears hovering above the floor, deep in meditation [TRAILER].
It trots out conceits and conventions similar to its overstuffed cousin The Big Wedding, but does so with such tenderness that it feels like a healing balm.
From its opening aerial shots of the picturesque waterfront of Bridgeport, Connecticut, And So It Goes feels familiar – to a fault.
Like a downmarket Sharknado of buddy-policemen movies, Let’s Be Cops seeks to capitalise on the success of the 21 Jump Street franchise.
Minutes into Moms’ Night Out, its aim is clear: to be a wholesome, earnest alternative to such crude sisterhood comedies as Bridesmaids and The Other Woman.
