Feminist, filmmaker, writer, poet, activist and author, Gillian Schutte has a degree in African politics, a master's in creative writing and a film director's qualification from the Binger Institute, Netherlands
In response to Gary Duffy's critique of ReAfricanisation, Gillian Schutte argues for the importance of centring African epistemologies and challenges the dominance of Enlightenment values in contemporary discourse.
How does the term 'Renaissance' distort the narrative of African liberation? Gillian Schutte sounds the call for ReAfricanisation and the reclamation of ancestral identity.
Captain Ibrahim Traoré is reigniting Thomas Sankara's revolutionary spirit in Burkina Faso, challenging neo-colonialism and redefining African sovereignty, says the writer.
As the Ukraine conflict evolves, Europe faces a critical choice: will it sacrifice its sovereignty for security, or reclaim its autonomy in a shifting geopolitical landscape?
Explore how South Africa's energy transition, framed as a moral imperative, is entangled in geopolitical control and donor dependency, contrasting sharply with Burkina Faso's path towards sovereignty and self-determination.
Is socialism a more divine path than capitalism? Discover how ancient wisdom and modern struggles intertwine in this thought-provoking exploration.
As amaBhungane celebrates 15 years of journalism, Gillian Schutte critiques its role in reinforcing imperial narratives and questions the integrity of its watchdog journalism.
Exploring the complex dynamics of LGBTQI+ rights, Gillian Schutte delves into how elite interests can co-opt social movements, transforming genuine struggles into tools for control.
The Competition Commission’s provisional decision on the Google media fund is being framed as a lifeline for South African journalism. In reality, it is a brazen move to cement a donor-backed media monopoly, ensuring that a widening group of elite, foreign-funded platforms and organisations control access to financial resources.
A Critical Examination of Marianne Thamm’s Latest Rant: How Media Narratives Serve Donor Interests and Shape Public Perception